When I first got into font making, hearing “customized (or coded) font features” made me question if I really knew what they were. I went digging away and an entire new world of font customization opened up in front of me. I knew OTFs were better than TTFs, but I had no idea how powerful OTFs really could be. If you’re unfamiliar with terms like stylistic and contextual alternates or discretionary and standard ligatures, we’re talking about em all this week!
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Intro to Font Making: Font Features
Mentioned in this video:
- Miss Magnolia font
- Free Font Making Resources List (when you download this list, you’ll automatically be notified when the new font making course becomes available!)
Here’s a quick overview of each feature mentioned if you need to refer back to this in the future! Please note: there are TONS of different features available when you’re creating a font. The purpose of this tutorial/overview was to highlight a few of the most commonly used ones. If you use Illustrator or InDesign frequently, you can access these font features quickly in your ‘open type features’ palette. (window > type > OpenType)
OTF vs. TTF
- Open Type font files (otf) include all of the features listed below. Many programs now offer those special features to be implemented within them. A TTF file (true type file) essentially has those features stripped away, so users with older programs, or programs which don’t offer otf features, still have access to the standard font. If you have the option to install an otf file over a ttf file, always choose the otf!
- A ligature is when two or more letters are joined and considered ‘one’. A standard ligature is automatically inserted when the two (or more) letters are typed separately within a font. In simpler terms, the two regular letters are ‘switched out’ and replaced with the customized pairing you created. In order for the ligatures to appear automatically, they have to be coded as standard when the font is created.
- The same as standard ligatures, but without the automation. If a user would like to access these ‘alternative’ or ‘optional’ ligatures, they would find them in the glyphs palette or OpenType palette.
- More and more fonts are including stylistic alternates. If you would like to have more than one style of an ‘e’ in your font, for example (especially in hand lettered-style fonts), these are a great added feature. Access stylistic alternates in your glyphs palette or OpenType palette.
Contextual Alternates: Initial forms
- Contextual alternates are features that take effect when certain circumstances are met. In the case of initial forms, a certain character within the font is created, and then when it begins a sentence, or follows a space, that special character is inserted. For instance, any time there is a space before a ‘b’, a different b is inserted, making it special when used as the first letter.
Contextual Alternates: End forms
- In the same way that initial forms behave, you can also define special characters when they’re the last letter in a word. If you’d like your ‘s’ to dip down instead of up (like in Miss Magnolia), you would set rules so that special ‘s’ is automatically placed when a word ends in ‘s’.
There are many other contextual alternates and special font features you can implement if you’d like to do further research, but these are common ones to get you started 😉 We’ll be diving into all of these in greater detail, including how to program your own fonts with them in my upcoming font making class! Be sure to subscribe to Every-Tuesday, or download the free Font Making Resources List and you’ll be all set to be notified when it becomes available in a few short weeks!
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