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Last year, I bought myself a big pack of Coliro Colors FineTec metallic watercolors for my birthday. I had experimented with their gold collection earlier and couldn’t wait to have more colors to play with. The rest of the year, I obsessed with using them on new lettering pieces, custom greeting cards for friends and family – anything I could think of. The way they glimmer in the sunlight is so beautiful, I was constantly looking for ways to create other shiny outcomes 🙂 I broke them out again the other day and realized I never shared my blending methods in a tutorial, so it was time for that to change! These watercolors get thick + dry pretty fast, so blending can be a little more complicated than traditional watercolors. In this week’s tutorial, I walk you through 3 blending effects using metallic watercolors with all of my favorite, long-tested tricks 😉 Read below for them all!

We kept things all digital last month, so I thought we could start this month with some watercolor! Even if gemstones or jewels aren’t your thing, this is a great exercise on mixing colors and how those colors can inform the depth of an object. We also sketch out the geometry from scratch without using a ruler and you can use these methods for other geometric-based layouts in the future, too! Since we’re using water-based brush pens, this is something you can create on the go with limited materials. Read on to paint a watercolor jewel using brush pens!

This coming Monday, I’ll be publishing my next Skillshare class, Lettering Layouts. Since we went over typing on a path in Illustrator on Tuesday, I thought it’d be fun to mix the concept of custom baselines with purely typographic layouts. The results are pretty incredible and can for sure seem intimidating to try yourself. This week, on top of a roundup of 6 stunning typographic layouts, I’m breaking each layout down. By doing this, it’s far easier to see how each layout was achieved and how you can begin incorporating similar methods, techniques and design elements into your own layouts moving forward. If you’ll be joining me in Monday’s class, this post is a big head start. Read on for more!

Happy Tuesday! I want to start by saying wow to everyone who has checked out Bounce Lettering! I’m so grateful for all of the kind feedback and I am so impressed and inspired by all of the wonderful projects that are coming out of the class! I thought I’d take bounce lettering/waterbrush lettering even a little further this week with a free add-on tutorial to both classes.

A style that is gaining in popularity over on Instagram is rainbow brush lettering. It would take foreverrrr to alternate colors to form a word, let alone form the word as pretty as you’d like with so many re-dips. In this week’s video, I’m sharing a trick for applying a rainbow of color to your brush lettering without a zillion re-dips in the process 🙂 There are two methods shown in the video – one to ease you into the process and the other to take full advantage of all the colors you’d like. Links to the products used + everything you need to know to start rainbow brush lettering below!

I’m often asked how I add the ‘bounciness’ to letterforms as I’m drawing them out. I do this a lot with my non traditional calligraphy styles, too and this week I want to share how I taught myself to create the full non traditional calligraphy style using only my favorite pens (no calligraphy utensils!) and a little method I call the Skeleton Method. For more lettering time lapses and examples, take a peek at my Instagram 🙂 Read on to see it all!

Happy Tuesday! I’ve had a few requests for more lettering tutorials, so I’m here to deliver! I’ve also made a lettering playlist which you can check out here where I’ll keep them all together 🙂

In this week’s quick tip video tutorial, we’ll digitally letter the number 3 two ways. For the first way, we’ll be using this Wacom tablet (or any of these) and the brush tool in Illustrator. After that, we’ll digitally letter the same number 3 from scratch using just the pen tool. We’ll go over the best way to plot your points and basic point handle adjustments using the direct select tool in Illustrator. Let’s get started!

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