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My brand new Skillshare class, Metallic Magic, just launched! I’m so excited to share the Photoshop tricks I learned when creating the Glitz + Glam Kit. In the class, I take you step by step, providing all of the color builds and settings you need to create your own digital foil from scratch in Photoshop. The class finishes up with us applying the foil textures we create to social media posts for quick sharing in any network you choose. By enrolling in the class, you’ll receive a free social media sizes cheat sheet, resources pdf and special glitter file ✨ If you’ve never tried Skillshare before, you can enroll in the class for free by using this link! In celebration of the class launch, I wanted to share the class trailer today so you can see everything you’ll be able to make after you take the class!

I’m often asked how I add the ‘bounciness’ to letterforms as I’m drawing them out. I do this a lot with my non traditional calligraphy styles, too and this week I want to share how I taught myself to create the full non traditional calligraphy style using only my favorite pens (no calligraphy utensils!) and a little method I call the Skeleton Method. For more lettering time lapses and examples, take a peek at my Instagram 🙂 Read on to see it all!

One of my favorite things is taking a doodle and reimagining it digitally. If you’ve been here before, you know that’s true! One thing I find myself doing a lot with my mini doodles lately is turning them into seamless pattern brushes so they can connect to make (any length) dividers, laurels – you name it. There’s a little trick to getting them seamless and once you do, they are so much fun to play with. In this week’s tutorial, we’ll take a mini doodle, vectorize it, make it seamless, then convert it into a multi-purpose, seamless pattern brush in Illustrator. Read on to see how easy it is!

Happy Tuesday! A few months ago, I shared how to create a confetti brush in Photoshop and I’ve gotten a few requests since then on how to do the same in Illustrator. It’s a slightly different process, but can absolutely be done! In this week’s quick tip tutorial, I share how to create a confetti brush in Illustrator using two different examples: uniformly sized circular confetti and randomly scaled and rotated star confetti. This time of year, when real confetti is imminent, now you’ll have limitless digital confetti potential, too! Read on to see how!

We are one week into December, which means we have one less week to send out holiday postcards! Since we created some nice holiday assets the last couple of weeks, I wanted to share how you could easily repurpose them for a holiday photo postcard, 3 ways. In this week’s tutorial, we’ll create a print ready holiday photo postcard in Photoshop with a little help from the Glitz + Glam Kit to quickly and easily get your holiday postcards off of your to do list 🙂 The final postcard is sized 7″x5″ and can fit snugly into any A7 sized envelope. Full tutorial, links to recommended online printers, fonts used and past tutorials all listed below!

Happy December! I’m not sure how we got here so quickly, but here we are! In the spirit of the upcoming holidays, I’m excited to say the next few weeks will all be holiday-specific tutorials. This week we’re going to start things off with a typography tutorial (my favorite kind) requested by Allison on how to form typography into a shape. To start the holiday theme off, I’ll share how I would create typography to conform to the shape of a holiday bulb using the word ‘Joyful’. Read on to see it all!

Today is a big Tuesday! I just went live with my newest kit, Glitz + Glam, Digital Hot Foil and Glitter Textures, AND I’m giving one of those textures away for free in this post! I’ve gotten a few questions on how I apply gold textures to some of my Instagram images, so with the release of the kit, the free texture, and the holidays coming up, I wanted to share how to create hot foil typography using Photoshop and Illustrator this week. This week’s freebie comes as a seamless pattern file, high res tileable jpg and layer style. Read on for the freebie, tutorial, and more info on the kit!

Happy Tuesday! This week’s tutorial comes to you courtesy of Lauren, who emailed me last week asking how to create a realistic paper cut out effect. With winter well on its way (my family in upstate NY has already had their first snowfall!), I thought a winter theme would work well with the effect. Do you remember these free hand drawn vector snowflakes from wayyy back? I thought it would be a good time to bring them back for this week’s tutorial and pair them with a more intricate snowflake to really show off the handmade look of this effect. I also happen to have a digital recycled paper pack and handmade paper pack which I thought would bring some nice authenticity to finish off the whole piece (pick up some free ones here). Read on to create your own!

Happy Friday! I’m so excited to announce the conclusion of the Font Project this week! It’s been a great 6 weeks learning how to really take a font from some doodled letters on paper, to typing on screen. I know I still have a ways to go with learning the ins and outs of Glyphs Mini (as with any kind of software), but it’s a challenge I’m looking forward to take on. I have a few final tips I wanted to share from this week’s work, and I also want to announce that my new font has a name and it’s available for download! Read on for it all!

A while back, I shared how to create dimensional typography in Illustrator, which is perfect for artwork that needs to be rescaled to different dimensions. But what if you already know the biggest your type needs to be seen at and you’d like to use Photoshop instead? In this week’s tutorial, I share how to create that dimensional typography quickly and easily in Photoshop using the rectangular marquee + pen tool to create selections and a soft brush to create those dimensional shadows. And! Since it’s Thanksgiving month and all, we’ll finish everything off with a small fall detail 🍃 😉Feel free to use these ideas for Thanksgiving invitations or greeting cards! Let’s get started!

Happy Friday and welcome to Week 5 of the Every-Tuesday Font Project! I can’t believe next week is our last week! This past week was such a HUGE week of learning for me. Taking your letters from Illustrator and putting them into Glyphs Mini is definitely not as simple as copy/paste – but it isn’t hard, I promise! Just a *little* tedious. You shall see 😉 Below I have a full video on how I set up Glyphs Mini and how I set up my Illustrator file to bring everything in at the right sizes and finished the video off with kerning in Glyphs Mini and exporting the font, then typing with it in Illustrator. As tedious as this week was with a learning curve and just the steps in general, it was so incredibly satisfying. Read on to see these letters become a font!

Happy Tuesday! As we approach Thanksgiving month, I thought Katherine’s request for a tutorial on feathers in Illustrator was a great idea this week. Since no style was specified in her request, I decided to share how to replicate two styles I love – organic and geometric/iconic. We’ll go over a bunch of quick tips, like easily altering paths, applying clipping masks, expanding strokes and utilizing the pathfinder palette. At the end of this tutorial, you’ll have an organic and geometric/iconic style feather you’ll be able to apply any color or texture to, alter easily, and implement to any application in both CMYK and RGB. Read on to see how!

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