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Happy Friday and welcome to Week 5 of the Every-Tuesday Font Project! I can’t believe next week is our last week! This past week was such a HUGE week of learning for me. Taking your letters from Illustrator and putting them into Glyphs Mini is definitely not as simple as copy/paste – but it isn’t hard, I promise! Just a *little* tedious. You shall see 😉 Below I have a full video on how I set up Glyphs Mini and how I set up my Illustrator file to bring everything in at the right sizes and finished the video off with kerning in Glyphs Mini and exporting the font, then typing with it in Illustrator. As tedious as this week was with a learning curve and just the steps in general, it was so incredibly satisfying. Read on to see these letters become a font!

Welcome to week #4 of the Every-Tuesday Font Project! See the previous 3 weeks here. This past week was spent vectorizing the lowercase portion of the alphabet in Illustrator in the same manner the uppercase was vectorized last week. Since the uppercase portion has a pretty smooth/clean aesthetic compared to the original live trace, I worked to maintain that same cleanliness with similar weight contrasts throughout the lowercase. One of the biggest lessons this week was that creating consistency throughout the lowercase is definitely more challenging than with the uppercase. There are far more details in the lowercase letterforms that you don’t really realize until you get into it. For example: the weight contrasts and curvature of the ‘c’ should be the same as in the lowercase ‘o’ should be the same in the lowercase ‘e’, etc. This created quite a few differences in the original drawn letters to the cleaned versions, but when placed together to form simple words, the font really started to come to life! The personality I had intended is coming through and it has me really excited about getting this into Glyphs Mini. As with last week, I took a bunch of timelapse videos of my Illustrator work where you can see me pulling portions of other letterforms to define new ones. Read on to see it all!

Welcome to week #3 of the Every-Tuesday Font Project! See Week 1 here and Week 2 here. This past week was spent vectorizing the uppercase portion of the alphabet in Illustrator, which was created last week. I followed the same methods of vectorizing + cleaning paths as seen in this tutorial and this one. I found my pen tool and occasionally using my Wacom tablet to be the most helpful when it came to cleaning up lines (here are my Wacom recommendations if interested), but anyone handy with a mouse could do a very similar job. I tweaked my initial live trace slightly (exact settings I used are below) to create rougher outlines to start with, which gave me more room to decide how ‘hand drawn’ each letter could feel. Read on for more of my process and some time lapse videos!

Welcome to week #2 of the Every-Tuesday Font Project! This past week was spent drawing letters out…a lot. My font is inspired by the free font, Amatic, whose hand drawn quality and character I really like, but wish it had a lowercase and a bit of a stronger presence structure-wise.

I started out with a .25mm Micron using the 2nd font guide sheet which had a taller x-height. I really liked how things were looking, but decided to go with my medium waterbrush filled with speedball super black since it naturally gave my letters some nice varied line weights which will give the font more character overall. I played around with applying different levels of pressure on my downstrokes with the waterbrush and liked a lighter pressure best since it makes the letters more readable (and small counters wouldn’t risk being accidentally filled in with extra ink from the pressure). Process shots from the last week below!

This is a big post for me. Like, bucket-list big. No kidding, Spence has heard me talk about creating my own font every week (if not every day!) for over a year.

If you’ve ever been here before, you know my love for type is pretty intense and I know I have some fonts in me waiting to get out. Maybe that’s you, too. On the chance that it is, I’ve decided to create a weekly post for the next 6 weeks for us to hold each other accountable and really do it – really create our own handmade fonts! I’ve never made a font before, so we are definitely in this together 🙂

Every week on Friday, I’ll share the progress I’ve made, resources I’ve used and tips/tricks I’ve learned. I’ll keep posting process shots over on Instagram with the tag #etfontproject and I’ll share the steps I plan to make for the next week’s font project post. At the end of this, we’ll have our own handmade fonts we can share with each other or sell online.

I came across Pawel Norbert‘s paint streak typography a while back and completely fell in love with it. There’s so much color, so much energy, so much personality displayed in just a single letter. With the addition of the Mega Paint Streak asset pack I created a few weeks back, Pawel’s work came rushing back to mind, as it paired similar textures with my most favorite element of design: typography. In this week’s tutorial, I share how I would create a similar type of paint streak typography using Photoshop. Once created, we’ll add shadows + highlights to finish it off with some extra dimension. You’ll be able to use the artwork you create to either gift, sell as a customized art print, wallpaper your desktop, or keep it for yourself + display it on your own wall! Not too shabby for ~15 minutes! Let’s get started!

Welcome to the third and last video in the video series, ‘How to Create a WordPress Website from Start to Finish‘! In this week’s final video, we’ll start by briefly walking through WordPress’s interface to get familiar with where everything is for editing purposes. Next, with the help of our friends at seoai.co.uk, we’ll find, install and activate plugins to improve our theme’s SEO, limit spam, offer downloadable content, and provide related posts at the end of every post to keep your readers engaged within your site. We’ll also walk through where to find your theme’s documentation to customize your specific theme even further. By the end of the tutorial, you’ll be up and running and feel confident knowing the little details in the background will be working for you with each new post you create. Let’s get started!

Happy Tuesday! I’ve had a few requests for more lettering tutorials, so I’m here to deliver! I’ve also made a lettering playlist which you can check out here where I’ll keep them all together 🙂

In this week’s quick tip video tutorial, we’ll digitally letter the number 3 two ways. For the first way, we’ll be using this Wacom tablet (or any of these) and the brush tool in Illustrator. After that, we’ll digitally letter the same number 3 from scratch using just the pen tool. We’ll go over the best way to plot your points and basic point handle adjustments using the direct select tool in Illustrator. Let’s get started!

Hatched drop shadow text effects are becoming more common in typefaces these days – Trend was one of the first to offer a layered font with a faux hatched drop shadow which motivated others to offer them. But what if you want a hatched drop shadow on the font you’re using, not trend? What if it’s for a one-off headline where lots of text doesn’t need it, it just needs to look beautiful in one powerful instance? That’s when we start making art instead of adjusting type, which is why this week’s tutorial isn’t on a text layer style; we’ll be customizing our hatched drop shadow to fit an artistic style.

Happy Tuesday! In this final tutorial for the holidays, if you haven’t sent out cards yet, I’ve got you covered 🙂 No need to run to the store – in this tutorial we’ll create a holiday themed printable greeting card using Adobe Illustrator. We’ll create manual trim + score marks so you can print your card easily on your home printer, and design it from scratch in a few short minutes. Let’s get started!

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