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After the tutorial How to Repeat Any Shape Along a Circular Path, I had a few questions on how to repeat shapes along any path, not necessarily a circle. In this week’s tutorial, I share a quick tip that will make repeating shapes along any path a cinch in Illustrator. In this video, we’ll utilize the shape tool and blend tool to create repeats perfect for borders, dividers or accents for your designs. We’ll go over repeating a single shape style and expand into a shape transition with a color blend for more complex results using the same technique. Read on to see how!

Welcome to Part 2 of how to create 3D typography from scratch! In this final video, we take everything we created in Part 1 using Illustrator and bring it into Photoshop. Using Photoshop, we’ll add custom shadows and texturize those shadows to add extra visual interest and dimension. At the end of this video, you’ll have your own custom, print ready 3D typography you can use for social media profiles, posters, prints and monogrammed stationery. Let’s get started!

Happy Tuesday! First of all, I have to tell you that I’ve been completely overwhelmed by all of the kind comments from last Friday’s post. My heart is bursting with gratitude. Thank you so very much for making this past weekend one I’ll never forget!

My co-workers gifted Spencer and I this amazing typography book as a going away gift last week and I have a serious problem with putting it down! There’s something that completely pulls you in when you lay eyes on the shadow type in the book – each layer so carefully planned, highlights and shadows in perfect contrast with one another along each angle and curve. Handmade type back in the day was so killer. I’m jealous of those craftsmen and craftswomen type masterminds. Of course, I couldn’t help myself with creating my own, digital form, inspired by pages from the book. In this week’s tutorial, we’ll create our own multi-layered 3D typography from scratch in Illustrator. In part 2 next week, we’ll bring that typography into Photoshop to add texture and enhance highlights + shadows to complete our type. Let’s gets started!

A couple of weeks ago, I shared some tips for using a waterbrush to create watercolor lettering. It was so well received, I wanted to do a follow up using that same waterbrush, but with ink this time. Yep, I filled that blue waterchamber with super black speedball ink instead of water, squeezed + lettered to my heart’s content 🙂 Before filling the waterbrush with ink, I had been using a Tombow for my brush script lettering, but after burning through a few pretty quickly, I was in search for an alternative to save a little dough. That led me to the waterbrush and I haven’t looked back! In this week’s video, I share some basic tips for getting started with your own brush script lettering. Lettering in black vs. watercolor will quickly allow you to scan your artwork in, vectorize it and use it in a bunch of applications quickly, like masking or font making (more on that next month!). Let’s get started!

Seamless patterns in Illustrator have been on my tutorial list for a while, so I’m very excited for this week! There’s something about the anticipation right before you test your pattern that I love. The total surprise when you see this pretty little square you made repeated a dozen times – suddenly the little square looks the same, but entirely new. And then go ahead and imagine it on your favorite throw pillow, mug, notebook, mousepad, comforter, wallpaper..it’s a great moment for a designer, even if they’re just daydreams 😉 My goal is to bring you one step closer to those daydreams this week with a method you can use to create seamless, repeatable patterns no matter which version of Illustrator you have. We’ll take a square with elements from the 100+ Vector Leaves and Flourishes pack and go step by step to achieve a fully usable pattern at the end – color palette included. Let’s go!

If you’ve been following my Instagram, you know how obsessed I’ve been lately with lettering using a waterbrush! It combines two strong passions of mine – watercolor and typography and I can’t get enough! Since I’ve been experimenting like a crazy woman, I wanted to share some tips I’ve learned over the past few weeks. I’m no expert by any means, but I’ve gotten into a rhythm and I’ve been really happy with how I’ve improved by remembering a few simple things. If this is something you’d like to try, my hope is that this video will save you time, money and supplies. Speaking of supplies, everything mentioned in the video that I’m currently using is listed below the vid 😉 For more on brush lettering with watercolor, check out my master course!

Happy Tuesday! This week’s tutorial is brought to you by Whitney + Monica who both emailed asking how to vectorize hand drawn doodles so they would have reuseable, and infinitely rescalable vectors. You’ve probably seen vector artwork around a lot lately – I just released a pack of vectors a few weeks ago and gave 5 of them away for free. In this tutorial, using that vector pack as an example, I share how I took those hand drawn elements from a doodle on a sheet of copy paper to a crisp vector that can be used over and over again on any application. Do you remember the how to vectorize hand lettering tutorial? If you’ve practiced that at all, you’ll be in great shape with converting doodles 🙂 In this video, we’ll go over 3 different methods of cleaning up your doodles, so whether you’re a beginner or advanced Illustrator user, there’s an option that will work for you. Let’s get started!

If you took my Watercolor Branding Skillshare class, you learned how to digitize watercolor textures – from scanning them in, to color adjustments, to removing the background correctly so they could be placed on anything. When a watercolor texture is scanned in, you’re limited by the greatest size and resolution your scanner is able to scan at. For large applications (think billboards, signage, posters), if a professional scanner wasn’t used, resolution is likely too small for the texture to reproduce as crisply as you might wish. Enter vectorized textures. Since vectors (which are point based instead of pixel based) can be rescaled infinitely without losing quality, they make a great alternative to finding a high res scanner and going through the process of color editing + removing the background again. Watercolor textures are super detailed, so finding a happy medium with file size and a similar outcome to the raster (pixel) based image is key when vectorizing. In this tutorial, I share my exact method on how to vectorize watercolor textures using two different textures. We’ll go over what to look for when you vectorize your own.

A few weeks ago, Kori emailed me asking how to create an editable pdf file. If you’ve ever browsed the template files on Etsy, chances are you’ve come across files for sale that come as editable pdfs. This is cool because you can offer a design file to someone who doesn’t have the programs and they can still work with and edit them to some degree. This is also useful to know if you ever need to send a client any kind of form you’d like them to fill out and send back – same rules apply – which eliminates unnecessary printing steps for the client. In this tutorial, I’ll share how easy it really is to create your own editable pdf. We’ll take a design created in Illustrator and transform it into that editable pdf using Adobe Acrobat. If you don’t have Acrobat (it’s the professional version of Adobe Reader) you can try it out for free for 30 days here. Let’s get started!

Happy Tuesday! Chalk lettering is still going strong these days, from outdoor signage, to indoor wall murals, to photographed magazine ads. But! What if you want a digital, more permanent and quickly editable outcome without all the mess (or dealing with the perfect lighting setup for photography)? There’s actually a super quick way to accomplish a chalk typography style in Photoshop in just a few simple steps. In this week’s tutorial, I share my exact process of taking a nothing-special pencil doodle or sketch and transforming it into white chalk, then colored chalk typography. Use this same method for illustrations too! Whatever you can doodle, you can change into the digital chalk look, and in only ~10 minutes! Try doing that with real chalk 😉 Let’s get started!

Happy Tuesday! This week’s tutorial comes courtesy of Kamron’s request on how to replicate a line gradient typography effect, like this one. While you could create this effect in a similar way as this retro type effect tutorial in Photoshop, the blend tool in Illustrator performs the effect quicker (in my opinion), AND you end up with vectors that can scale infinitely without losing resolution. Win, win 🙂 This is one of the quicker type effects we’ve created, making it the perfect solution when you need a nice type effect in a pinch!

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